https://susanisima.com susanisima Fri, 05 Feb 2021 23:48:05 +0000 https://susanisima.com en https://susanisima.com/about Tue, 26 Nov 2019 10:29:48 +0000 susanisima https://susanisima.com/about &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SUSANA VARGAS CERVANTES&nbsp; &nbsp; &nbsp; &nbsp; susana.vargascervantes@gmail.com &nbsp; &nbsp; &nbsp; &nbsp; instagram.com/susanisima &nbsp; &nbsp; &nbsp; &nbsp; ︎DOWNLOAD CV&nbsp; &nbsp; &nbsp; &nbsp; <img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/9fe3b6d3d291506792c0d43d2e60ed5e26063333cba617f67b0aeeffb8040b38/WEBSusana_DSC3151.jpg" data-mid="137936279" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/9fe3b6d3d291506792c0d43d2e60ed5e26063333cba617f67b0aeeffb8040b38/WEBSusana_DSC3151.jpg" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Vargas Cervantes teaches, writes, and curates. She is internationally recognized for her artistic work at the intersections of alternative criminology, visual studies, and queer studies—in both Anglo North America and Latin America. She has co-curated exhibitions at Tate Britain, Museo Jumex, and Ford Foundation Gallery. After a Fulbright visiting scholar position at Columbia University, she joined Carleton University as a professor in Communication and Media Studies. Her work has been featured in Frieze, I-D, Vice, El País, CBS Inside Edition, among others. She is the author of the book The Little Old Lady Killer: The Sensationalized Crimes of Mexico’s First Female Serial Killer (NYU Press, 2019) made into a Netflix Documentary, Mujercitos (Editorial RM, 2015) and Bad Bunny (Gato Negro 2023). She is currently working on her first documentary feature film: El Bautizo de la Chilaquil, the untold story of female (homo)sexuality in Mexico. https://susanisima.com/Home Tue, 30 Jul 2019 01:25:20 +0000 susanisima https://susanisima.com/Home &nbsp; <img width="1086" height="1500" width_o="1086" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4563cc0517242e034b4f2813cb131a66bccb470d7e87f38d2f5ead34afe1adfa/Mujercitos_Portada_Anal_Magazine.jpg" data-mid="47617778" border="0" src="https://freight.cargo.site/w/1000/i/4563cc0517242e034b4f2813cb131a66bccb470d7e87f38d2f5ead34afe1adfa/Mujercitos_Portada_Anal_Magazine.jpg" /> <img width="594" height="598" width_o="594" height_o="598" data-src="https://freight.cargo.site/t/original/i/62161a55da221f889e1f3c8ebfa34af78acdbf43767e6f231957ae4fb27005e1/Screen-Shot-2019-10-31-at-3.26.20-PM.jpeg" data-mid="55460073" border="0" src="https://freight.cargo.site/w/594/i/62161a55da221f889e1f3c8ebfa34af78acdbf43767e6f231957ae4fb27005e1/Screen-Shot-2019-10-31-at-3.26.20-PM.jpeg" /> <img width="691" height="389" width_o="691" height_o="389" data-src="https://freight.cargo.site/t/original/i/85652c1ffb7ae1797d027c9ef4f4b294af3e674ea5191283cfec756206499d70/ohoto-new-museum.jpg" data-mid="219268648" border="0" src="https://freight.cargo.site/w/691/i/85652c1ffb7ae1797d027c9ef4f4b294af3e674ea5191283cfec756206499d70/ohoto-new-museum.jpg" /> <img width="504" height="718" width_o="504" height_o="718" data-src="https://freight.cargo.site/t/original/i/236f5d3f27e0c1d29eb2985e221c394e440a91b61da80c6babb385ad26681373/Screenshot-2023-07-29-at-9.55.50-PM.png" data-mid="186726208" border="0" src="https://freight.cargo.site/w/504/i/236f5d3f27e0c1d29eb2985e221c394e440a91b61da80c6babb385ad26681373/Screenshot-2023-07-29-at-9.55.50-PM.png" /> <img width="1030" height="1554" width_o="1030" height_o="1554" data-src="https://freight.cargo.site/t/original/i/75516f11163818d95cd45ef6cbf6d0310286068b8996923b311c09f204b3f118/Captura-de-pantalla-2019-09-20-a-las-11.35.17.png" data-mid="186726190" border="0" src="https://freight.cargo.site/w/1000/i/75516f11163818d95cd45ef6cbf6d0310286068b8996923b311c09f204b3f118/Captura-de-pantalla-2019-09-20-a-las-11.35.17.png" /> ︎Seminario BB ︎Seminario Bad Bunny por zoom https://susanisima.com/Page-Nav-bottom Tue, 30 Jul 2019 01:25:24 +0000 susanisima https://susanisima.com/Page-Nav-bottom Index &nbsp; &nbsp;Next︎ https://susanisima.com/MOBILE-MENU Tue, 26 Nov 2019 18:27:53 +0000 susanisima https://susanisima.com/MOBILE-MENU SUSANISIMA Susana Vargas Cervantes writes, researches and teaches. Her research mines the connections between gender, sexuality, class and skin tonalities to reconceptualize pigmentocracy. She is the author of the book The Little Old Lady Killer: The Sensationalized Crimes of Mexico's First Female Serial Killer&nbsp;(NYU Press, 2019) and Mujercitos (Editorial RM, 2015). ︎&nbsp;MORE BOOKS ︎ The Little Old Lady Killer&nbsp; &nbsp; &nbsp; &nbsp;NYU Press, 2019 ︎&nbsp;Mujercitos&nbsp; &nbsp; &nbsp; &nbsp;Editorial RM, 2015 ︎ Aprehendiendo al delincuente&nbsp; &nbsp; &nbsp; &nbsp;UNAM-McGill, 2011 WRITINGS︎&nbsp;Scholarly ︎ Essays SPEAKING︎︎︎Podcast ︎︎︎Interviews ︎︎︎Presentations&nbsp; CURATORIAL ︎ TATE BRITAIN&nbsp; &nbsp; &nbsp;&nbsp; Stan Firm inna Inglan ︎ JUMEX MUSEUM&nbsp; &nbsp; &nbsp; &nbsp;En Girum Imus Nocte et Consumimur Igni ︎ CCE&nbsp; &nbsp; &nbsp; &nbsp;Lo&nbsp;que se ve no se pregunta OTHER PROJECTS︎ Mesas de Diálogo︎ Queering curatorial practices ︎&nbsp;Seven to Eleven dreams︎ A life&nbsp;in a liminal space ABOUT https://susanisima.com/contact Wed, 11 Sep 2019 16:27:21 +0000 susanisima https://susanisima.com/contact &nbsp; &nbsp; &nbsp; &nbsp; SUSANA VARGAS CERVANTES &nbsp; &nbsp; &nbsp; &nbsp; susanisima.vargas@gmail.com &nbsp; &nbsp; &nbsp; &nbsp; https://susanisima.com/mataviejitas Fri, 20 Sep 2019 09:26:36 +0000 susanisima https://susanisima.com/mataviejitas THE LITTLE OLD LADY KILLERThe Sensationalized Crimes of Mexico’s First Female Serial KillerNYU PRESS 2019 In the Alternative Criminology series &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; ︎ GET BOOK HERE! &nbsp; &nbsp; &nbsp;<img width="1030" height="1554" width_o="1030" height_o="1554" data-src="https://freight.cargo.site/t/original/i/75516f11163818d95cd45ef6cbf6d0310286068b8996923b311c09f204b3f118/Captura-de-pantalla-2019-09-20-a-las-11.35.17.png" data-mid="51015159" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/75516f11163818d95cd45ef6cbf6d0310286068b8996923b311c09f204b3f118/Captura-de-pantalla-2019-09-20-a-las-11.35.17.png" /> “This brilliant mixed-genre meditation on the life and crimes of Juana Barraza combines the pulse of true crime, a picaresque cast of historical characters, the contextual nuance of cultural history, the sophistication of queer theory, and disturbing new insights into Mexican identity and its complicated relationship with human mortality. A (trans)historical achievement of the highest order.” Robert Marshall Buffington, author of A Sentimental Education for the Working Man: The Mexico City Penny Press, 1900-1910 REVIEWS ︎ ︎ Smith, Chris. M. “The Little Old Lady Killer: The Sensationalized Crimes of Mexico’s First Female Serial Killer.&nbsp;Susana Vargas Cervantes. New York University Press.” Signs: Jounal of Women in Culture and Society 47 (2), Winter 2022. &nbsp; ︎Van Bavel, Marjolein. “Book Review: Susana Vargas Cervantes, The Little Old Lady Killer: The Sensationalized Crimes of Mexico’s First Female Serial Killer.” Crime, Media, Culture, 17 (2):&nbsp;289-290.&nbsp;December 2019. ︎Estevez, Ariadna. “El derecho a la violencia de las mujeres.” Unam Global, Agosto 2019. PRESS ︎&nbsp; ︎BBC NEWS MUNDOLa mataviejitas: "Lo que descubrí cuando investigué el caso de la asesina que recibió la condena más larga de la historia de México"Jose Carlos cueto[May 14, 2021] ︎EL PAISLa Mataviejitas, ¿asesina o victima? Elena Reina[ Abril 25, 2021] ︎CRIMINAL BROADS&nbsp; PODCASTSilent Lady: Juana Barraza[ January 2021 ]&nbsp; ︎THIS IS NOT A PIPE PODCAST&nbsp;Susana Vargas Cervantes: The Little Old Lady Killer[ January 2020 ] ︎CBS WHY WOMEN KILL&nbsp; The Blood Thirsy Babe [ October 2019 ] ︎CBS INSIDE EDITION The Strange Saga of Juana Barraza, a Female Wrestler and Mexico's 'Little Old Lady Killer [ October 2019 ] ︎SLAM MAGAZINE, Melissa&nbsp;Hemmings Lucha libre killer makes for captivating reading [&nbsp;October 2019&nbsp;] ︎THE SERIAL KILLER PODCAST Interview [ September 2019 ] &nbsp; “Focusing on a case that challenged what Mexicans thought they knew about crime, Vargas examines performance, images, media languages and expert discourses, and uncovers their racist and machista premises. Her criticism is original but also urgently needed, as we see how the neglect of certain victims and the criminalization of those who do not conform to gender norms contribute to the dehumanizing levels of violence that Mexico is witnessing today.” Pablo Piccato, author of&nbsp;A History of Infamy: Crime, Truth, and Justice in Mexico <img width="708" height="1554" width_o="708" height_o="1554" data-src="https://freight.cargo.site/t/original/i/ba22c06a7a5cf5c657086e931ea1cd58792d256fcc3192af87a6c463c57f0593/Captura-de-pantalla-2019-09-20-a-las-11.34.09.png" data-mid="51015153" border="0" src="https://freight.cargo.site/w/708/i/ba22c06a7a5cf5c657086e931ea1cd58792d256fcc3192af87a6c463c57f0593/Captura-de-pantalla-2019-09-20-a-las-11.34.09.png" /> <img width="1974" height="1168" width_o="1974" height_o="1168" data-src="https://freight.cargo.site/t/original/i/5755938e1e0cf3488a10af7ce6ea568ec0e0b2671cee7e2f631a786f31fdb02f/Captura-de-pantalla-2019-09-20-a-las-11.34.28.png" data-mid="51015155" border="0" src="https://freight.cargo.site/w/1000/i/5755938e1e0cf3488a10af7ce6ea568ec0e0b2671cee7e2f631a786f31fdb02f/Captura-de-pantalla-2019-09-20-a-las-11.34.28.png" /> <img width="1364" height="1548" width_o="1364" height_o="1548" data-src="https://freight.cargo.site/t/original/i/f3d955366182cae885f350f2cd44433fb81854f36342400e584f682429ecfc5c/Captura-de-pantalla-2019-09-20-a-las-11.34.20.png" data-mid="51015154" border="0" src="https://freight.cargo.site/w/1000/i/f3d955366182cae885f350f2cd44433fb81854f36342400e584f682429ecfc5c/Captura-de-pantalla-2019-09-20-a-las-11.34.20.png" /> <img width="1058" height="1558" width_o="1058" height_o="1558" data-src="https://freight.cargo.site/t/original/i/cd241c9b0aac57510fa83fdcb5a582c5a918d5f34ab7785a3218d53f069b2537/Captura-de-pantalla-2019-09-20-a-las-11.34.46.png" data-mid="51015157" border="0" src="https://freight.cargo.site/w/1000/i/cd241c9b0aac57510fa83fdcb5a582c5a918d5f34ab7785a3218d53f069b2537/Captura-de-pantalla-2019-09-20-a-las-11.34.46.png" /> <img width="1430" height="1196" width_o="1430" height_o="1196" data-src="https://freight.cargo.site/t/original/i/f580bef0555e1fb08896913e032637feed050f438e9f63126de10f7c14001ec1/Captura-de-pantalla-2019-09-20-a-las-11.33.40.png" data-mid="51015152" border="0" src="https://freight.cargo.site/w/1000/i/f580bef0555e1fb08896913e032637feed050f438e9f63126de10f7c14001ec1/Captura-de-pantalla-2019-09-20-a-las-11.33.40.png" /> The little old lady killer focuses on the search for the Mataviejitas (“the killer of little old women”), the first ever undertaken for a serial killer in Mexico. Through an analysis of police reports and news media discourses of the Mataviejitas in relation to international criminological discourses and Mexican popular culture, this book questions who counts as a victim and how a criminal is constructed. https://susanisima.com/mujercitos Fri, 20 Sep 2019 11:10:40 +0000 susanisima https://susanisima.com/mujercitos MUJERCITOS EDITORIAL RM.2015︎ GET BOOK HERE! <img width="1032" height="1440" width_o="1032" height_o="1440" data-src="https://freight.cargo.site/t/original/i/f6e317a2aac4f7bb47aecb3c852bb3066c125fd8e5f98cee18ec0f968277a40d/Captura-de-pantalla-2019-09-20-a-las-13.16.09.png" data-mid="51019315" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/f6e317a2aac4f7bb47aecb3c852bb3066c125fd8e5f98cee18ec0f968277a40d/Captura-de-pantalla-2019-09-20-a-las-13.16.09.png" /> Mujercitos is based on my doctoral thesis: “Alarma!: Mujercitos performing gender in the pigmentocratic socio-cultural system of Mexico” in which I analyzed the photographs of mujercitos, “effeminate men” (as defined by Alarma!) that appeared in this exemplary Mexican nota roja periodical, from 1963 to 1986. Nota roja is a particular news genre for the narration of violence characterized by its gruesome and cruel photographic content, however the photographs of mujercitos are shown posing and taking the center stage of the camera for 23 consecutive years. PRESS&nbsp;︎ ︎ Velmor, Ricardo. Mujercitos! Anal Magazine[ Octubre, 2015 ] ︎ Álvarez, Carlos. Los Mujercitos de ‘Alarma!’. Vice México [ Septiembre, 2015 ] ︎ Ladd, Jeffrey. Susana Vargas Mujercitos. 1000 words. UK [ August, 2015 ] ︎ Watermann, Lucy. Book Review. Musee Magazine. New York [ August, 2015 ] ︎ Creadores Universitarios. Foro TV. Video de la entrevista aquí[ Agosto, 2015 ] ︎ Martínez, Gerardo. “Mujercitos! Historias del deseo reprimido. El Universal. Confabulario.&nbsp; [ Junio, 2015 ] ︎ Vieyra, Rolando. “Mujercitos: Festines Secretos de Invertidos. Entrevista a Susana Vargas Cervantes.” Yaconic. [ Mayo, 2015 ] ︎ Valencia, Rufo. “Susana Vargas presenta el libro ‘Mujercitos’ en Canadá”. Radio Canada Internacional. [ Mayo, 2015 ] ︎ Avila, Sonia. “Alarma, refugio contra la homophobia.” Excelsior. Expresiones. [ Mayo, 2015 ] ︎ Paul, Carlos. “‘Mujercitos’, libro que compendia retratos de “hombres afeminados.” La Jornada.&nbsp;[ Mayo, 2015 ] ︎ Raúl, Campos. “ ‘Mujercitos’ homofobia para planas de nota roja.” Milenio. Cultura. 11 de [ Mayo, 2015 ] ︎ Aguilera, Carlos. “Cartografías de la Inversión. Entrevista a Susana Vargas”. [ Mayo, 2015 ] ︎ Feuerhelm, Brad. “Susana Vargas and the “Red Page” Transgender Sensationalism of “Mujercitos” in Mexican Tabloid Culture.” American Suburb X. [ April, 2015 ] ︎ Abdelrahim, Jaled. “La Rebelión de los Mujercitos.” Yorokobu. [ Diciembre, 2014 ] ︎ Bizzotto, Márcia. “Lanzan en Bruselas libro Mujercitos.” Notimex. [ Noviembre, 2014 ] <img width="1086" height="1500" width_o="1086" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4563cc0517242e034b4f2813cb131a66bccb470d7e87f38d2f5ead34afe1adfa/Mujercitos_Portada_Anal_Magazine.jpg" data-mid="51018783" border="0" src="https://freight.cargo.site/w/1000/i/4563cc0517242e034b4f2813cb131a66bccb470d7e87f38d2f5ead34afe1adfa/Mujercitos_Portada_Anal_Magazine.jpg" /> <img width="1130" height="902" width_o="1130" height_o="902" data-src="https://freight.cargo.site/t/original/i/6a02e1f3d9964c08a5ac26b3c0b4ac03456088d7420eb76d391341aa84bde5b6/Captura-de-pantalla-2019-09-20-a-las-13.15.29.png" data-mid="51019313" border="0" src="https://freight.cargo.site/w/1000/i/6a02e1f3d9964c08a5ac26b3c0b4ac03456088d7420eb76d391341aa84bde5b6/Captura-de-pantalla-2019-09-20-a-las-13.15.29.png" /> <img width="1112" height="1562" width_o="1112" height_o="1562" data-src="https://freight.cargo.site/t/original/i/ba2baeebd8ff64eca20c4378851d999d578dc608849b4ffef828764d03b58055/Captura-de-pantalla-2019-09-20-a-las-13.15.04.png" data-mid="51019310" border="0" src="https://freight.cargo.site/w/1000/i/ba2baeebd8ff64eca20c4378851d999d578dc608849b4ffef828764d03b58055/Captura-de-pantalla-2019-09-20-a-las-13.15.04.png" /> <img width="1068" height="982" width_o="1068" height_o="982" data-src="https://freight.cargo.site/t/original/i/790a0ef4493ee0afcbe9cabfb36ab1f2e8701f37f5bb70ac93a289dcfeffff04/Captura-de-pantalla-2019-09-20-a-las-13.15.49.png" data-mid="51019314" border="0" src="https://freight.cargo.site/w/1000/i/790a0ef4493ee0afcbe9cabfb36ab1f2e8701f37f5bb70ac93a289dcfeffff04/Captura-de-pantalla-2019-09-20-a-las-13.15.49.png" /> <img width="1192" height="1512" width_o="1192" height_o="1512" data-src="https://freight.cargo.site/t/original/i/3a95339f498fedca4dbef05eb00ef93bc0f2cfa49148c4ab74668ea1537579fc/Captura-de-pantalla-2019-09-20-a-las-13.15.13.png" data-mid="51019311" border="0" src="https://freight.cargo.site/w/1000/i/3a95339f498fedca4dbef05eb00ef93bc0f2cfa49148c4ab74668ea1537579fc/Captura-de-pantalla-2019-09-20-a-las-13.15.13.png" /> https://susanisima.com/aprehendiendo Thu, 24 Oct 2019 20:08:15 +0000 susanisima https://susanisima.com/aprehendiendo APREHENDIENDO AL DELINCUENTECrimen y medios en América del Norte Coautora junto con Will Straw y Graciela Martínez Zalce UNAM-McGill.2011︎ GET BOOK HERE! ︎DOWNLOAD PDF <img width="510" height="686" width_o="510" height_o="686" data-src="https://freight.cargo.site/t/original/i/d97bdc82cff8d4d4e5d6043f42d525faf5c18f6f3db0f8b0de4d50c528919f6f/Captura-de-pantalla-2019-10-24-a-las-16.14.39.png" data-mid="53357127" border="0" data-scale="83" src="https://freight.cargo.site/w/510/i/d97bdc82cff8d4d4e5d6043f42d525faf5c18f6f3db0f8b0de4d50c528919f6f/Captura-de-pantalla-2019-10-24-a-las-16.14.39.png" /> El punto de partida conceptual de Aprehendiendo al delincuente es que el crimen es un tema central en el discurso cultural que se define a través de operaciones intertextuales, mediante las cuales se configuran representaciones de la vida urbana. <img width="760" height="1094" width_o="760" height_o="1094" data-src="https://freight.cargo.site/t/original/i/b4a33ddd5cf85bfa0508f168842d37050452e8dac6756ae1ffb2ecfb97861072/Captura-de-pantalla-2019-11-26-a-las-12.04.35.png" data-mid="55485073" border="0" src="https://freight.cargo.site/w/760/i/b4a33ddd5cf85bfa0508f168842d37050452e8dac6756ae1ffb2ecfb97861072/Captura-de-pantalla-2019-11-26-a-las-12.04.35.png" /> <img width="774" height="1076" width_o="774" height_o="1076" data-src="https://freight.cargo.site/t/original/i/9cf6ffe365d6cc0e1b1c6534b3e6caa2e0d94238851d63d52e09327b51c15f1f/Captura-de-pantalla-2019-11-26-a-las-12.04.24.png" data-mid="55485072" border="0" src="https://freight.cargo.site/w/774/i/9cf6ffe365d6cc0e1b1c6534b3e6caa2e0d94238851d63d52e09327b51c15f1f/Captura-de-pantalla-2019-11-26-a-las-12.04.24.png" /> <img width="796" height="1096" width_o="796" height_o="1096" data-src="https://freight.cargo.site/t/original/i/799d0192554b334d0585418f5380bb1c1efbba1567ed8fc3ee1d864a9f496e9e/Captura-de-pantalla-2019-11-26-a-las-12.04.10.png" data-mid="55485071" border="0" src="https://freight.cargo.site/w/796/i/799d0192554b334d0585418f5380bb1c1efbba1567ed8fc3ee1d864a9f496e9e/Captura-de-pantalla-2019-11-26-a-las-12.04.10.png" /> En las imágenes de las ciudades, el juego de luz y sombra casi siempre viene acompañado de la asunción de que aquéllas son indicadores del peligro o la ilicitud moral en un espacio determinado. El homicidio y actividades como el consumo de drogas, el travestismo o las transferencias electrónicas de música o películas han despertado pánicos enraizados en consideraciones morales y jurídicas; sin embargo, también han derivado en la aparición de nuevas comunidades sociales o culturales, cuyo efecto de renovación y de cierto nivel de cuestionamiento sobre la cultura más amplia se manifiesta en los medios. https://susanisima.com/Podcasts Fri, 05 Feb 2021 21:27:46 +0000 susanisima https://susanisima.com/Podcasts SPEAKING Broadcasts Interviews ︎SER MUJER SEGUN LA IDEOLOGIA DE LA MEXICANIDAD, EL CASO ‘MATAVIEJITAS’ Degeneradas. El Tiempo. Colombia [ Mayo 15, 2021] ︎PUNTO CIEGO PODCASTPigmentocracia. Episodio Racismo[ Enero 10, 2021 ] ︎CRIMINAL BROADS&nbsp; PODCASTSilent Lady: Juana Barraza[ January 4, 2021 ] ︎BIBLIOTECA TLACUILO Instagram Live Entrevista&nbsp; [ Octubre 16, 2020] ︎LOS LUNES DE CRISTINA Instagram Live Entrevista [ Septiembre 28, 2020 ] ︎THIS IS NOT A PIPE PODCAST Susana Vargas Cervantes: The Little Old Lady Killer[ January 2, 2020 ] ︎CBS WHY WOMEN KILL PODCASTThe Bloodthirsty Babe[ October 25, 2019 ] ︎CBS INSIDE EDITION TV The Strange Saga of Juana Barraza, a Female Wrestler and Mexico's 'Little Old Lady Killer [ October 18, 2019 ] ︎THE SERIAL KILLER PODCAST[ September 30, &nbsp;2019 ] &nbsp; ︎ RADIO CANADA INTERNATIONAL TV Susana Vargas presenta el libro ‘Mujercitos’ en CanadáValencia, Rufo.[ Mayo 13, 2015 ] ︎ CREADORES UNIVERSITARIOS TVLa Nota Roja de Mexico y el Reflejo de la Sociedad Mexicana Foro TV. [ Agosto 6, 2015 ] https://susanisima.com/Interviews Fri, 05 Feb 2021 23:48:05 +0000 susanisima https://susanisima.com/Interviews SPEAKING Interviews︎THE BROOKLYN RAIL. CANTANDO BAJITO: CHORUS The new social environment.&nbsp;Featuring Susana Vargas Cervantes, Roxana Fabius, Beya Othmani, Mindy Seu, and Charlotte Kent[November, 2024] ︎BBC NEWS MUNDO La mataviejitas: "Lo que descubrí cuando investigué el caso de la asesina que recibió la condena más larga de la historia de México"Jose Carlos cueto [May 14, 2021] ︎EL PAIS La Mataviejitas, ¿asesina o victima?&nbsp; Elena Reina [ Abril 25, 2021] ︎VIST PROJECTSPhotography and Criminal Records: from stigma to resistance Marcela Vallejo[ January 5, 2021 ] ︎EL PAIS.&nbsp;Almudena Barragán De ‘Mujercitos’ a familia incluyente: así cambió en la prensa mexicana en el retrato de la homosexualidad[ Junio 11, 2020 ] ︎SLAM MAGAZINE Lucha libre killer makes for captivating reading Melissa Hemmings[ October 9, 2019 ] ︎ LA TEMPESTAD Artes Visuales. 40 años. 40 voces [ Agosto 5, 2018 ] ︎ VICE MEXICO Los Mujercitos de ‘Alarma!’. Álvarez, Carlos.[ Septiembre, 2015 ] ︎ 1000 WORDS UK Susana Vargas Mujercitos. Ladd, Jeffrey. [ August, 2015 ] ︎ MUSEE MAGAZINE. NEW YORK Watermann, Lucy. Book Review.[ August, 2015 ] ︎Anal Magazine Mujercitos! Velmor, Ricardo.[ Octubre, 2015 ] ︎ EL UNIVERSAL “Mujercitos! Historias del deseo reprimido.&nbsp;Confabulario. Martínez, Gerardo. [ Junio, 2015 ] ︎YACONIC “Mujercitos: Festines Secretos de Invertidos. Entrevista a Susana Vargas Cervantes.” Vieyra, Rolando.[ Mayo, 2015 ] ︎EL&nbsp;EXCELSIOR “Alarma, refugio contra la homophobia.” Avila, Sonia.[ Mayo, 2015 ] ︎ LA JORNADA “‘Mujercitos’, libro que compendia retratos de “hombres afeminados.” Paul, Carlos.[ Mayo, 2015 ] ︎MILENIO “‘Mujercitos’ homofobia para planas de nota roja.” Raúl, Campos.&nbsp;[ Mayo, 2015 ] ︎ EL NUEVO HERALD “Cartografías de la Inversión. Entrevista a Susana Vargas”. Aguilera, Carlos. [ Mayo, 2015 ] ︎AMERICAN SUBURB X&nbsp; “Susana Vargas and the “Red Page” Transgender Sensationalism of “Mujercitos” in Mexican Tabloid Culture.” Feuerhelm, Brad.[ April 29, &nbsp;2015 ] ︎ YOROKOBU “La Rebelión de los Mujercitos.”&nbsp; Abdelrahim, Jaled.[ Diciembre 24, 2014 ] ︎ NOTIMEX “Lanzan en Bruselas libro Mujercitos.” Bizzotto, Márcia. [ Noviembre, 2014 ]